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Psychological thriller is a combining the thriller and psychological fiction genres. It is commonly used to describe or that deal with psychological narratives in a thriller or thrilling setting.

In terms of context and convention, it is a subgenre of the broader ranging thriller narrative structure,Dictionary.com, definition, psychological thriller (definition), Accessed November 3, 2013, "...a suspenseful movie or book emphasizing the psychology of its characters rather than the plot; this subgenre of thriller movie or book – Example: In a psychological thriller, the characters are exposed to danger on a mental level rather than a physical one....", with similarities to and detective fiction in the sense of sometimes having a "dissolving sense of reality". It is often told through the viewpoint of psychologically stressed characters, revealing their distorted mental perceptions and focusing on the complex and often tortured relationships between obsessive and pathological characters.Christopher Pittard, Blackwell Reference, Psychological Thrillers, Accessed November 3, 2013, "...characteristics of the genre as 'a dissolving sense of reality; reticence in moral pronouncements; obsessive, pathological characters; the narrative privileging of complex, tortured relationships' ( Munt 1994)..." Psychological thrillers often incorporate elements of , drama, , and . The genre overlaps with the psychological drama and psychological horror genres, the latter generally involving more horror and terror elements and themes and more disturbing or frightening scenarios.


Definition
Peter Hutchings states varied films have been labeled psychological thrillers, but it usually refers to "narratives with domesticated settings in which action is suppressed and where thrills are provided instead via investigations of the psychologies of the principal characters."
(2025). 9780810870505, . .
A distinguishing characteristic of a psychological thriller is it emphasizes the mental states of its characters: their perceptions, thoughts, distortions, and general struggle to grasp reality.
(2025). 9780275993597, Greenwood Publishing Group. .

According to director John Madden, psychological thrillers focus on story, character development, choice, and moral conflict; fear and anxiety drive the psychological tension in unpredictable ways. However, the majority of psychological thrillers have happy endings. Madden stated their lack of spectacle and strong emphasis on character led to their decline in Hollywood popularity. Psychological thrillers are suspenseful by exploiting uncertainty over characters' motives, honesty, and how they see the world. Films can also cause discomfort in audiences by privileging them with information they wish to share with the characters; guilty characters may suffer similar distress by virtue of their knowledge.

However, James N. Frey defines psychological thrillers as a style, rather than a subgenre; Frey states good thrillers focus on the psychology of their antagonists and build suspense slowly through ambiguity.

(2025). 9781429913638, Macmillan Publishers. .
Creators and/or film distributors or publishers who seek to distance themselves from the negative connotations of horror often categorize their work as a psychological thriller. The same situation can occur when critics label a work to be a psychological thriller in order to elevate its perceived literary value.


Literary devices and techniques
  • – Films such as Psycho and The Skeleton Key have advertised the fact that they contain plot twists and asked audiences to refrain from revealing spoilers. Psychological thrillers with poorly received plot twists, such as The Village, have suffered in the box office.
  • Unreliable narrator – Andrew Taylor identifies the unreliable narrator as a common literary device used in psychological thrillers and traces it back to Edgar Allan Poe's influence on the genre. Criminal insanity may be explored as a theme.
  • – Alfred Hitchcock pioneered the concept of the MacGuffin, a goal or item that initiates or otherwise advances the plot. The MacGuffin is frequently only vaguely defined, and it can be used to increase .
  • – The term was popularized by and is defined as a kind of fallacy that is an irrelevant topic introduced to divert the attention of the audience. A red herring is used to lead the audience to make false assumptions and mislead its attention.


Themes
Many psychological thrillers have emerged over the past years, all in various media (film, literature, radio, etc.). Despite these very different forms of representation, general trends have appeared throughout the narratives. Some of these consistent themes include:

In psychological thrillers, characters often have to battle an inner struggle. Amnesia is a common used to explore these questions. Character may be threatened with death, be forced to deal with the deaths of others, or fake their own deaths. Psychological thrillers can be complex, and reviewers may recommend a second or third viewing to "decipher its secrets". Common elements may include , such as a and , involved in a cat and mouse game. , examples of early psychological thrillers, were considered to be socially irresponsible due to their themes of sex and violence. These novels, among others, were inspired by the exploits of real-life detective . Water, especially floods, is frequently used to represent the unconscious mind, such as in What Lies Beneath and In Dreams.

(2025). 9780786480920, McFarland & Company. .

Psychological thrillers may not always be concerned with plausibility. Peter Hutchings defines the , an Italian subgenre of psychological thrillers, as violent murder mysteries that focus on style and spectacle over rationality.

(2025). 9780810870505, . .
According to Peter B. Flint of The New York Times, detractors of Alfred Hitchcock accused him of "relying on slick tricks, illogical story lines and wild coincidences".


Examples

Screenwriters and directors
  • Brad Anderson – Ethan Anderton of firstshowing.net describes Anderson's psychological thrillers as "unique" and covering the theme of memory loss.
  • – Italian director known for his in , horror, and psychological thrillers. He is often referred to as "the Italian Hitchcock".
    (2025). 9780719066313, Manchester University Press.
  • – Frequently covers themes of madness, pursuit of perfection, and psychology.
  • – Korean director who explored the genre in his "vengeance trilogy" ( Sympathy for Mr. Vengeance, Oldboy, and ), Stoker, and
  • states that Cronenberg is a "prime exponent" of a subgenre of psychological thrillers, : "stories of terror involving parasites, metamorphoses, diseases, decomposition and physical wounds".
  • Brian De Palma – Called a cineaste by , de Palma is known for his psychological thrillers and horror films influenced by Alfred Hitchcock.
    (2025). 9780312326111, Macmillan Publishers.
  • – Hitchcock often applied concepts to his thrillers, as in Jamaica Inn, Rebecca, Spellbound, , Vertigo, Psycho and Marnie.
  • – Japanese anime director known for making psychological thrillers, such as and Paprika.
  • – His surreal films have inspired the descriptor "Lynchian", which Jeff Jensen of Entertainment Weekly defines as "bizarrely banal, or just plain trippy."
  • Christopher Nolan – British-American director whose films deal with the mind, memory, and the line between fantasy and reality.
  • – Described as a "world class director" by Sheila Johnston of , she states that his reputation was established by his "superb early psychological thrillers".
  • – American director known for psychological thrillers such as , Cape Fear and Shutter Island.
  • M. Night Shyamalan – Indian-American director known for making psychological thrillers that often have a in them.
  • – American director known for his mainstream thriller films with psychological elements including Se7en and Gone Girl.


Film

Television

Literature
  • – Known for a series of Bengali psychological thrillers based on a professor of psychology named , which The Daily Star called unique in Bengali literature.
  • – The of husband-and-wife team Nicci Gerrard and Sean French, authors of eleven best-selling psychological thrillers.
  • Patricia Highsmith – described her psychological thrillers as "intricately plotted" which existed in a "claustrophobic and irrational world".
  • – Known for The Turn of the Screw and other horror stories.
  • Jonathan Kellerman – The Baltimore Sun described Kellerman's novels as "taut psychological thrillers".
  • – John Levesque of the Seattle Post-Intelligencer called Stephen King a "master of the psychological thriller".
  • – The stated that Walters has gained a for her "dark, well-constructed psychological thrillers."
  • – The New York Times published an article on "how Freida McFadden Conquered the Thriller Genre." She is one of the most popular and bestselling authors of psychological thrillers with more than 7 million copies sold across ebook, paperback and audio.


Anime and manga

Video games
  • – Combines psychological thriller with gameplay.
  • Time called Heavy Rain a combination of and psychological thriller in which players hunt down a serial killer.
  • – An independent top-down game with psychological aspects of crime-thriller genre influenced by several films.
  • series as a whole.


External links

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